Cover of the DVD compilation released by Media Blasters.

The following is a list of episodes 63–95 of the anime series Rurouni Kenshin, based on the manga series of the same name by Nobuhiro Watsuki. They aired in Japan, with the exception of episode 95, on Fuji TV from October 14, 1997 until the series concluded on October 15, 1998. Directed by Kazuhiro Furuhashi and produced by Aniplex and Fuji TV, the anime is set during the early Meiji period in Japan and follows the story of a fictional assassin named Himura Kenshin, who becomes a wanderer to protect the people of Japan. Unlike previous episodes, these were not adapted from the manga. During that period, the Jinchu Arc was still being written and one more final episode was missing by the end of the anime fillers.

Rurouni Kenshin Episode 1 English Dub Online at cartooncrazy.tv. If Rurouni Kenshin Episode 1 English Dubbed is not working, please select a new video tab or reload the page. Now Playing Next View All. Www1.cartooncrazy.tv CHAT. Latest Episodes. Together, with the beautiful kendo instructor Kaoru and a colorful cast of allies, ex-assassin Kenshin embarks on a quest to protect the innocent from those that would do them harm. In a staggering display of swordplay and martial arts mastery, Kenshin will attempt to survive his promise to face his.

The series was licensed for broadcast and home video release in North America by Media Blasters, who split it up into 'seasons'. Unlike the previous episodes of the series, the English dub of second final episode was not aired in North America. Episode 95 did not air in Japan either, as it was a bonus episode for the VHS and DVD releases,[1] it also has a different art style than the rest of the anime. Media Blasters released this season within DVDs seven to fourteen of the anime from February 26, 2002 to September 24, 2002.[1] A DVD compilation of season 2 was released on January 17, 2006.

These episodes of the series use five pieces of theme music. The opening theme '1/2' by Makoto Kawamoto continues to be used until episode 83 when it replaced with the series' final opening theme 'Kimi ni Fureru Dake de' by Curio. 'It's Gonna Rain' by Bonnie Pink continues to be used as the ending theme for the first four episodes when it is replaced with '1/3 no Junjou na Kanjou' by Siam Shade. The series final ending theme, 'Dame' by You Izumi, begins use at episode 83.

Episode listing[edit]

No.TitleOriginal airdate
63'The Legend of the Fireflies'
Transcription: 'Negaibotaru no Densetsu, Aru Kenkaku o Machi Tsuzuketa Shōjo' (Japanese: 願い蛍の伝説· ある剣客を待ち続けた少女)
October 14, 1997
Kenshin Himura goes off fishing to bring some food on the table. At the river he meets an old man who tells him the legend of the fireflies. At the end it is revealed the old man was telling Kenshin the tragic story of his dead lover, who died waiting for him to return from his long quest to master the sword. He gives Kenshin the message that once in his life, every man meets a woman he will never forget. After hearing his story, Kenshin brings back an iris flower, which he does not give to Kaoru Kamiya.
64'The Birth of Prince Yahiko'
Transcription: 'Yahiko Ōji Tanjō? Karei naru Shakōkai Debyū' (Japanese: 弥彦王子誕生? 華麗なる社交界でびゅー)
October 28, 1997
A foreign prince is attacked by bandits. As Kenshin and Kaoru are returning from a play, they see this and Kenshin intervenes. During the attack the prince was injured, so Kenshin and Kaoru take them back to the dojo. As it turns out, the prince looks exactly like Yahiko Myojin, and so Yahiko is put in his place to attend a banquet. At the banquet the bandits attack yet again, but Kenshin is there to protect Yahiko, along with Sanosuke Sagara.
65'Find the Lost Treasure!'
Transcription: 'Kieta Otakara o Sagase! Meitanteiken Notarō' (Japanese: 消えたお宝を探せ! 名探偵犬·ノ太郎)
November 4, 1997
When he finds himself under attack by a gang of masked men deemed the Kenwadan, a politician throws the key to his safe into an alleyway. The Kenwadan frantically tries to pursue a dog that had promptly picked up the key and the chase continues into a river. Sanosuke comes across the same dog the next morning while praying at the shrine for better luck at dice, carrying it back to the dojo in the care of Megumi Takani. The dog, which Sanosuke names Notaro, promptly tears the lives of the protagonists apart, eating their food, stealing and burying their possessions, and generally making a nuisance of himself. Unfortunately, since Sanosuke distributes flyers indicating a found dog, it does not take the Kenwadan long to track Notaro down. While Kenshin and Yahiko is informed by the police about the situation involving the Kenwadan, Sanosuke encounters and defeats the Kenwadan in a nearby forest.
66'Kaoru, Ecstatic'
Transcription: 'Kaoru Kangeki Kenshin no Puropōzu!?' (Japanese: 薫 感激 剣心のぷろぽ〜ず!?)
November 11, 1997
Kaoru starts faintly daydreaming about being married to Kenshin on Tanabata, after Tae Sekihara explains what an engagement ring symbolizes. Kenshin is distracted with going fishing, coming back with a catfish. Kenshin takes a bite of his share of catfish and finds an engagement ring inside. Tae convinces Kenshin into giving Kaoru the ring, in which Kenshin is unbeknownst to what it symbolizes. During the time Sanosuke goes fishing, he sees a man about to commit suicide, coincidentally finding out that the engagement ring originally belonged to the man, who threw it away when he thought his girlfriend was seeing someone else. Sanosuke gets Kenshin and Yahiko to work out a way to get the ring without hurting Kaoru's feelings. The three confess to her concerning the situation after temporarily intoxicating her. The ring is given back to the man in order for him to be engaged to his fiancée.
67'The Gleaming Blade of Legends'
Transcription: 'Kirameku Densetsu no Ken! Shinpi no Kenshi Amakusa Shōgo' (Japanese: 煌めく伝説の剣! 神秘の剣士·天草翔伍)
November 18, 1997
Misao Makimachi reports to the group concerning a murder mystery in Kyoto, as it is witnessed that strange carvings are engraved on the back of a corpse of a politician. Aoshi Shinomori is approached by another politician seeking protection from a written death threat, only to refuse his request. Misao sends this letter to Okina, who deduces that it is written in either Portuguese or Dutch, and the symbol on the bottom of the letter resembles much of the carvings on the corpse. The assassin ultimately kills the politician and puts Misao in a comatose state. The group goes to Kyoto, finding out that the assassin practices the Hiten Mitsurugi-ryū battōjutsu. Kenshin visits Seijuro Hiko, who reveals that the assassin is a Christian swordsman named Shōgo Amakusa, one who is capable of defeating the Kuzu-ryūsen attack.
68'The Medallion of Destiny'
Transcription: 'Unmei no Medario, Sanosuke to Sayo no Deai' (Japanese: 運命のメダリオ· 左之助と小夜の出会い)
November 25, 1997
Shōgo appears to where Chō Sawagejō is protecting yet another politician. He easily defeats Chō, and flawlessly kills the politician. When the groups goes to visit Chō in a hospital, it is confirmed that Shōgo surpasses Kenshin in skill. Okina finds out that the three men killed were responsible for persecuting Christians during the Edo dynasty. Sanosuke enters a cavern behind a waterfall and finds a Christian occult gathered in front of Shōgo's younger sister Lady Magdalia and her childhood friend Shōzo. Sanosuke follows the two outside, and later assaults a band of police officers who were after a medallion in their possession. An agitated Shōzo manages to cause Sanosuke to delve into the waterfall, however soon losing hold of the medallion. Kenshin learns about how Shōgo betrayed his uncle to seek revenge for the befallen Christians.
69'To the Battlefield of Shimabara'
Transcription: 'Taisen no Chi, Shimabara e! Shiyū o Kessuru Toki' (Japanese: 対戦の地, 島原へ! 雌雄を決する時)
December 2, 1997
As the group explore Shimabara, they are introduced to an ambassador named Sir Elsten, who is acquainted with Kenshin for saving his life a decade ago at the end of the Edo dynasty. Sir Elsten urges to be contacted if a potential riot occurs. Shōgo is unaware that Sanosuke has the medallion, as he and Lady Magdalia are traveling toward Shimabara. With a crowd of Christians gathered near, Shōgo proves to them that he is deemed the child of God by performing miracles. Kaoru tells Yahiko that she feels pity for the persecuted Christians. The two notice that a group of Christian children dropped a medallion after being seen. Kaoru later enters a house outside a cave, only to find out the location of a cathedral. Meanwhile, Kenshin and Sanosuke are in another part of the cave being surrounded by a herd of dogs led by a round man with a dog whistle.
70'Shock of the Rai Ryu Sen'
Transcription: 'Rairyūsen no Shōgeki! Yami ni Hōmurareta Kenshin' (Japanese: 雷龍閃の衝撃! 闇に葬られた剣心)
December 9, 1997
The round man accidentally breaks his dog whistle when Kenshin fights back, losing control of the dogs. So, in turn, Kenshin ends up saving himself and the round man from the dogs. The round man is confused, since he was told that Kenshin is a demon and has to be killed. The round man chains Kenshin to a tree and goes for Lady Magdalia to see what he should do with Kenshin. Kaoru confronts Shōgo concerning his purpose having Kenshin dead. Kenshin, broken free of the chains, remains at the tree as Kaoru, Shōgo, Lady Magdalia, and the round man comes to see him. Shōgo battles against Kenshin to prove of his superior strength and speed. Kenshin chooses to execute the Kuzu-ryūsen attack instead of the Amakakeru Ryū no Hirameki attack, showing mercy upon Shōgo. However, Shōgo strikes Kenshin with blindness, as he falls over a cliff into the waters below.
71'Kaiou's Conspiracy'
Transcription: 'Kaiō no Inbō, Wana ni Kakatta Shōgo!' (Japanese: 傀王の陰謀 罠にかかった翔伍!)
December 16, 1997
Sanosuke has fallen off a crevice inside the cave, and sees Lady Magdalia. She patches up his bruises back at her home in the hill. The two later have an argument about Shōgo. Sanosuke reveals that he has lost the medallion. Lady Magdalia locks him inside the room. Meanwhile, Shōgo, plots with Kaiou and Santo, two of his followers, the demise of the Meiji government through the instigation of a civil war, but they are disagreeing over price and methodology. Lady Magdalia carries a gun and returns to the room where she locked Sanosuke, but he has disappeared locate the lost medallion. Shōzo interrupts Sanosuke's search for the medallion and engages in combat. Both of them are weakened by each other's attacks. Kaiou and Santo are given Lady Magdalia's lost medallion.
72'The Days of Remorse'
Transcription: 'Tsuioku no Hibi, Shōgo to Sayo no Kanashiki Kako' (Japanese: 追憶の日々· 翔伍と小夜の哀しき過去)
January 6, 1998
Misao tells Kenshin, Kaoru, and Yahiko about the secret between Shōgo and Lady Magdalia. Shōgo was once able to help cure numerous due to his study under the field of medicine, however he is unable to cure his dying younger sister. When the two were younger, their parents were killed one after another by nonbelievers. Kenshin, Kaoru, Yahiko, and Misao sees that Santo is signalling the formation of an army from his boat. Lady Magdalia is informed that Kaiou has her medallion, alerting her to search for it in his room. She later realizes that Kaiou plans to betray Shōgo and her. Sanosuke and Shōzo show up, trying to stop Kaiou, only to allow the three of them to be locked into the cage, as an avalanche of boulders plummet over them.
73'The Sneering Demon'
Transcription: 'Azawarau Akki! Shōzō, Bakuen ni Chitta Karyū' (Japanese: あざ笑う悪鬼! 庄三, 爆炎に散った火龍)
January 13, 1998
Kenshin is caught in a noose by one of Kaiou's underlings, yet Kenshin is quickly able to defeat him. Meanwhile, Shōzo is left buried under a boulder, and it is up to Sanosuke and Lady Magdalia to help free him, to allow him to report this incident to Shōgo. Sanosuke is to fight another one of Kaiou's underlings, and Sanosuke is easily able to knock him unconscious. However, Lady Magdalia has hyperventilated due to her illness. Kenshin, Kaoru, Yahiko, and Misao arrives accompany the two out of the cave. After Kenshin figures out that Lady Magdalia has tuberculosis, Sanosuke scurries over to find Sir Elsten, for him to treat Lady Magdalia and for him to know about the formation of the army. Shōzo later overhears what Kaiou is plotting, trying to fight him but was defeated, and as a last resort Shōzo threw some pipe bombs given by Sanosuke, thereby killing Kaiou.
74'Sanosuke's Tears'
Transcription: 'Sanosuke no Namida, Futari ni Otozureta Towa no Wakare' (Japanese: 左之助の涙 二人に訪れた永遠(とわ)の別離(わかれ))
January 20, 1998
The army has prepared themselves to fight Shōgo and his Christian martyrs. Sanosuke continued to try and bring Lady Magdalia to Sir Elsten. After achieving many obstacles, Sanosuke manages to luckily encounter Sir Elsten with Santo. However, Santo attempts to shoot Sir Elsten for interfering with Kaiou's goals, in which Lady Magdalia jumps in and takes the bullet. Sanosuke pummels Santo to the ground and returns Lady Magdalia's medallion back to her, thereafter of which she passes away. Sir Elsten hurries to get to the holy hill to stop the war. Meanwhile, Kenshin finally arrives and tries to stop the fight, finding Shōgo there and tells him he will be fought if the children would be forced to sacrifice themselves.
75'The Last Crusade'
Transcription: 'Saigo no Seisen, Gekitotsu! Futatsu no Amakakeru Ryū no Hirameki' (Japanese: 最後の聖戦 激突!ふたつの天翔龍閃(あまかけるりゅうのひらめき))
January 27, 1998
Sir Elsten arrives to the military base to stop the attack, when Misao was there saying that Kenshin is negotiating with Shōgo. Kenshin would be given one hour to convince Shōgo to surrender, before the military becomes involved. Misao informs Sir Elsten that she will send a smoke signal at the peak of the holy hill, indicating a successful negotiation. As the duel begins, Kenshin empathizes with Shōgo, understanding how he feels. They both eventually use the Amakakeru Ryū no Hirameki attack, in which Shōgo is defeated in the end. Kenshin regains his sight, and Misao sends the smoke signal, ending the war and announcing Shōgo's surrender.
76'Bon Voyage'
Transcription: 'Tabidachi no Umi, Kibō wa Kanashimi no Nami o Koete' (Japanese: 旅立ちの海 希望は哀しみの波を越えて)
February 3, 1998
Kenshin visits Sir Elsten to find out what will happen to the believers and so on. Sir Elsten is waiting for the decision of the government, should it arrive shortly. An official arrives and tells them that the believers can no longer stay in Japan. This enlightens a thankful Sir Elsten, deciding that the believers can come to Holland. Meanwhile, Sanosuke gives Kaoru a letter and a package concealing Lady Magdalia's medallion, and she goes to see Shōgo for a brief period. Sanosuke goes to Lady Magdalia's tombstone and reminisces of his time with her. An angry Shōzo appears to Sanosuke, disappointed having lost Lady Magdalia. He explains how he feels guilty for taking Kaiou's life. Shōgo later goes to the tombstone, reading the letter that Lady Magdalia wrote, as he makes his way toward Holland.
77'Himura Dojo in Shimonoseki?'
Transcription: 'Shimonoseki ni Himura Dōjō? Mō Hitori no Battōsai Arawaru' (Japanese: 下関に緋村道場? もう一人の抜刀斎現る)
February 10, 1998
While the group are eating at a restaurant, a gang called the Tengu creates a disturbance, in which Yahiko and Misao take them outside and fight them. Then a man claiming to be the legendary manslayer arrives and scares them away. The group is concerned about lodging since there is no room left. They reluctantly make their way up to the temple of the impostor and notices that there is a dojo managed there. The group unwillingly helps out the impostor, therefore having a place to stay. The Tengu group is getting restless and hires a swordsman to kill the fake Battousai. The swordsman arrives at the dojo, demanding to fight the fake Battousai. Kenshin comes back from shopping and saves the impostor by defeating the swordsman. Kenshin later allows him to keep the name of the legendary manslayer, and the group sets sail to go back home.
78'Crush!'
Transcription: 'Gagakusei no Omou Hito, Hakone Yu no Machi Koi Sōdō' (Japanese: 画学生の想う女性(ひと)· 箱根湯の街恋騒動!)
February 17, 1998
The group walks through the forest and ends up eating at a resort. However, Kenshin realizes he has lost Kaoru's travelling money. Unable to pay the check, the group offers to work off the money. Later that night, Kaoru and Misao go into the hot springs, but they spot an artist and mistake him for a voyeur. They realize he is an artist seeking inspiration, and the artist begs Kaoru to be his model for his next painting due to her beauty. Unaware that she is already in love with Kenshin, the artist falls in love with Kaoru. Misao and Sanosuke tell the artist that if he can hit Kenshin, Sanosuke will try to bring the artist and Kaoru together. No matter how hard the artist tries he cannot hit Kenshin. After seeing that Kaoru's love for Kenshin is the source of the beauty, the artist gets his inspiration and draws a portrait of Kaoru. As Kaoru shows the others the drawing, they run away in laughter due to the drawing's abstract nature.
79'Kaishu-Katsu and Kenshin'
Transcription: 'Katsu Kaishū to Kenshin, Bakumatsu o Ikita Futari no Shukuen' (Japanese: 勝海舟と剣心· 幕末を生きた二人の宿縁)
February 24, 1998
A man named Daigoro is talking about people being able to go to the moon, but he receives sarcastic remarks from others. As he leaves with his teacher named Kaishu Katsu, the two are soon ambushed by unknown assassins. The group manages to protect them, until another student named Tetsuma appears and frightens them away. Kaishu exiles Daigoro from the Katsu dojo due to poor swordsmanship, in which Kaoru vows to teach him the skills and techniques of the sword. Kaishu's daughter, named Itsuko, as well as Tetsuma, goes to the Kamita dojo, trying to bring Daigoro back. Daigoro refuses to leave, and Itsuko later decides to reside at the dojo. Kenshin leaves to tell Kaishu that his daughter is staying at the Kamiya dojo.
80'The Unending Revolution'
Transcription: 'Owaranai Bakumatsu, Kaishū ni Kaserareta Tenmei' (Japanese: 終わらない幕末· 海舟に課せられた天命)
March 3, 1998
When Kenshin prepares to depart, the group of assassins return, revealing themselves as the Beni Aoi, of which Kenshin has no knowledge of their group. He comes back to the Kamiya dojo to tell the others that Daigoro and Itsuko can continue to stay, although it is hinted that Kaishu misses both of them. It is revealed that Kaishu was accused of giving financial aid to an army for a war during the Edo period. Itsuko goes out to buy some ingredients for the dinner recipe, yet Kaoru causes the dinner to inflame. The Beni Aoi follows Itsuko and kidnaps her. Kenshin later finds Itsuko's hairpin on the ground outside, and Kaishu receives a letter stating the abduction.
81'Conspiracy of the Beniaoi'
Transcription: 'Beniaoi no Sakubō, Kaishū o Nerau Bakumatsu no Ikiryō!' (Japanese: 紅葵の策謀· 海舟を狙う幕末の生霊!)
March 10, 1998
Kenshin pays Kaishu a visit, finding out that he was hiding a sum of money from the government, and that the Beni Aoi is in search of it. Kaishu is informed to arrive at a temple late at night, and his daughter will not be harmed if he chooses to cooperate. Kenshin was told not to come, but he involves everyone else including Daigoro. They arrived at the temple before Kaishu. Daigoro sees Itsuko as he sees her attempting to escape but trips to the ground. Daigoro charged forward and was stabbed.
82'Kaishu-Katsu's Determination'
Transcription: 'Katsu Kaishū no Ketsui, Jidai o Koeta Shinjitsu' (Japanese: 勝海舟の決意· 時代を超えた真実)
April 14, 1998
After Daigoro was just stabbed, Kenshin steps forward to fight the leader while the others take care of the rest. The leader is defeated and shortly the police arrives and arrests the Beni Aoi. Kaishu catches Tetsuma red-handed for searching for a map to the hidden money. Tetsuma tries to reason with Kaishu, only to resort to violence. Kenshin intervenes and fights Tetsuma, sword to sword. However, a desperate Tetsuma then uses a gun. Daigoro manages to convince him to cease of his wrongdoings, in which Tetsuma turns himself in for repentance.
83'Yutaro Returns'
Transcription: 'Yutarō Kikoku, Kage ni Hisomu Kurokishidan no Yabō' (Japanese: 由太郎帰国· 影に潜む黒騎士団の野望)
April 21, 1998
Yutaro Tsukayama returns to the dojo with Professor Hans, having a reunion with the group. Meanwhile, the Black Knights are after Professor Hans and want something from him. The group goes to the Akabeko to celebrate Yutaro's return. Kenshin stays behind after everyone else leaves. The Black Knights attack Professor Hans, taking a map from his possession. They retreat soon after Kenshin steps in to fight. While he was brought back to be treated, Professor Hans tells Yutaro that he has left his notebook and a rock under the porch of the dojo as a clue of the whereabouts of a divine elixir.
84'The Sanada Ninja Squad'
Transcription: 'Sanada Ninjagun to Reiyaku, Okashira Misanagi no Nerai' (Japanese: 真田忍者群と霊薬· お頭御沙薙の狙い)
May 5, 1998
It is found in the notebook that the divine elixir may possibly cure any illness. It is also said that the Black Knights desire the divine elixir in order to acquire world domination. The Sanada Ninjas has issued a bargain to join forces with the Black Knights, to have ownership over Japan. The protagonists head to Suwa Shrine at Lake Suwa, the location of the divine elixir. They approach a priest to gives them information regarding the history of the shrine. The Sanada Ninjas attack the group, but retreat and go back to their base when they are bombarded by the Oniwabanshū. The Black Knights tell the Sanada Ninja that they will make their move once the protagonists find the divine elixir.
85'A Straying Journey'
Transcription: 'Meisō no Tabi, Shikumareta Omiwatari no Wana!' (Japanese: 迷走の旅· 仕組まれた御神渡りの罠!)
May 19, 1998
While the group travels through the forest, Yahiko becomes dehydrated. A hunter passes by and brought Yahiko into his dwelling to treat him with herbal tea. The hunter tells the group that the divine elixir may be found at a lake deep into the mountains. After the lake parts, the group finally figures out that the divine elixir is hidden inside a dark cave on the other side of a crossing. They encounter many obstacles within the cave. Yutaro uses the rock to place on an altar, igniting the cave. However, Misanagi, the leader of the Sanada Ninjas, appears and tells the group that the pathway will lead to the bottom of the abyss, in which the floor collapses as they descend toward the base of the cave.
86'A Heatwave from Beneath the Earth'
Transcription: 'Chitei o Mau Akai Kagerō! Sakki! Sanada Sanninshū' (Japanese: 地底を舞う赤い陽炎· 殺鬼!真田三人衆)
May 26, 1998
Misanagi and the Black Knights enter the pathway and begin to move toward the divine elixir. Meanwhile, the group is surround by sulfur and phosphorus at the bottom of the abyss. Sanosuke must punch through the wall to force a current of water to flow through, allowing the group to escape. Outside the cave, they find Kaita, one of the Sanada Ninjas, who is severe injured. Yutaro is able to treat his wounds. Kaita later helps by showing them a tunnel that will lead them back to the pathway inside the cave. The group is soon interfered by Zan and Ren, two of the elite members of the Sanada Ninjas.
87'Schneider's Bet'
Transcription: 'Shunaidā no Kake, Kurokishidan no Hōkai!' (Japanese: シュナイダーの賭け· 黒騎士団の崩壊!)
June 2, 1998
Kenshin and Sanosuke continue to fight Zan and Ren while Baku, the third elite member of the Sanada Ninjas, is unnoticed. Sanosuke and Kaoru team up to defeat Zan. Baku distorts Kenshin's senses, making Kenshin vulnerable to Ren's attacks. By attacking the bats, Kenshin manages to defeat both Ren and Baku. Misanagi and the Black Knights find the divine elixir among the vast garden hidden deep inside the cave. Melders reveals that he intended to betray Misanagi from the start, permitting Lentz to attack her. However, Schneider defends Misanagi, only to get badly injured by Melders.
88'The Two Guides'
Transcription: 'Futatsu no Michishirube, Yahiko to Yutarō Towa no Yakusoku' (Japanese: ふたつの道標(みちしるべ)· 弥彦と由太郎永遠(とわ)の約束)
June 9, 1998
Kenshin faces off against Melder, who has the upper hand due to his horse and his armor. Melder continues to attack but creates a spark and ignites a flame with the oil on the ground, causing the garden to quickly char. Lentz attempts to get a sample of the divine elixir, only to be interceded by Yahiko and Yutaro. Kenshin uses the Amakakeru Ryū no Hirameki attack to defeat Melders, but was badly injured in the process. Melders ultimately is lost within the flames, and both Lentz and Schneider survives the demolition. Yutaro is able to retrieve a sample of the divine elixir. Misanagi remains the leader of the Sanada Ninjas, even after making the mistake of temporarily joining forces with the Black Knights. Professor Hans recovers thanks to the divine elixir. He receives a report saying that Lentz and Schneider turned themselves in, in which they will be investigated for further information.
89'To My Angel Misao'
Transcription: 'Mai Enjeru Misao e.. Kyōto kara no Mukae' (Japanese: まいえんじぇる操へ.. 京都からの迎え)
June 16, 1998
After Misao trains with Yahiko in the dojo, she decides to leave her leave. Aoshi Shinomori arrives to escort her back to Kyoto, but she ends up changing her mind. Kaoru and Misao, along with Megumi Takani, go out to shop. Sanosuke and Yahiko become suspicious, believing that the three are going to a restaurant without them, urging them to tag along. Meanwhile at the dojo, Kenshin and Aoshi spend time with each other. The 5 girls visit a shrine and each pray for a guy, while Sano sneeze over Megumi's prayer. The girls run into Tae, along with Tsubame Sanjō at a restaurant. The girls later encounter a pickpocket who steals Tae and Tsubame's money. Misao easily defeats him and returns back the money. Kenshin talks to Aoshi regarding his relationship with Misao. The pickpocket comes back with the rest of his gang, but the girls facilely overpower them. Sanosuke and Yahiko are mistaken as criminals responsible for beating up the gang members. Kenshin and Aoishi meet the girls near the riverbank, in which Sanosuke and Yahiko finally catch up to the others.
90'Feng Shui Surprise Attack!'
Transcription: 'Fūsui no Kishū! Harimegurasareta Gobōsei no Nazo' (Japanese: 風水の奇襲! 張り巡らされた五茫星の謎)
June 23, 1998
The wind and water clans of feng shui compete surrounding a shrine, initially creating a pentagram barrier around the land circa 1602. After 275 years, this magic begins to reactivate and cause disasters in the Tokyo prefecture. After each of these incidents, a man named Reisui claiming to be a water feng shui master appears to provide advice to the victims. However, as soon as the man leaves a mysterious entrepreneur named Saeke turns up to offer his services, such as warding stones inscribed with the power of feng shui. When the Akabeko catches fire from one of its stoves, Tae and Tsubame are to lodge at the Kamiya dojo. Saeke takes a visit there, only to be pardoned by Tae. The group is soon attacked by feng shui fledglings, in which the wind feng shui master named Jinpu arrives to save them.
91'The Magic of Feng Shui'
Transcription: 'Ugomeku Fūsui no Maryoku, Nerawareta Kamiya Dōjō' (Japanese: うごめく風水の魔力· 狙われた神谷道場!)
July 21, 1998
Jinpu explains to the group regarding the history between the two clans of feng shui. A map is shown that while the wind clan had set up an Eigou formation that would protect the town, the water clan will set up one that would destroy it. The water clan will construct railroad tracks to the five locations of the warding stones disguised as their Eigou formation. Reisui later attacks the dojo, but later retreats after Jinpu retaliates.
92'Tokyo Under Martial Law'
Transcription: 'Kaigenrei no Tōkyō-fu! Bakushin Suru Kyōki no Ryūmyaku' (Japanese: 戒厳令の東京府! ばく進する凶器の龍脈)
August 4, 1998
Kaoru is severely wounded from Reisui's attacks, Jinpu informs that she will be cured after obtaining natural spring water from Musashino. Kenshin and Jinpu head to Musashino to collect the water, Sanosuke along with Tsunan Tsukioka are to seek and destroy the relics of the shisa, and Yahiko needs to stay behind to protect Kaoru. Meanwhile, the water clan is slowly destroying the wind Eigou formation. Kenshin and Jinpu finally make it into a cave the mountains while dodging various obstacles of feng shui. Kenshin is able to collect the water and safely escorts Jinpu out of the cave before it collapses. The Ryu Myaku starts to move east of Musashino toward Nikko to follow the path of the Eigou formation.
93'The Enemy Awaits in Senjogahara'
Transcription: 'Teki wa Senjōgahara ni Ari! Hisui no Monshō o Motomete' (Japanese: 敵は戦場ヶ原にあり! 翡翠(ひすい)の紋章を求めて)
August 18, 1998
Kaoru has recovered from the spring water given by Kenshin and Jinpu. The two must leave for Nikko to find the jade crest hidden in the area before the Ryu Myaku gets there first. Sanosuke and Tsunan find a book that gave many useful clues but in a difficult language. They find the author to explain its contexts. Clues and hints were being pieced together and the plans of the water clan started to become clearer. Kenshin and Jinpu arrive at Nikko, only to find out that Reisui has the jade crest. Reisui traps the two in a feng shui illusion, but they manage to overcome it. Sanosuke finds Kenshin and Jinpu and explains that the Ryu Myaku has changed their direction toward Senjogahara.
94'The Elegy of Wind and Water'
Transcription: 'Kaze to Mizu no Banka, Ima Koko ni Shiryoku Tsukusu!' (Japanese: 風と水の挽歌· 今ここに死力尽くす!)
September 8, 1998
Kenshin, Sanosuke, and Jinpu go to Senjogahara, encountering the water clan. Jinpu attacks Reisui, but the former has proven to be weaker than that of the latter. Meanwhile, the author arrives and tells Tsunan to put the dragon statue in the center of the shrine, hoping it will stop the Ryu Myaku. Jinpu is able to halt and defeat the water clan. After Reisui sacrifices himself, Saeke reveals that it was he that possesses the jade crest, yet he is shortly defeated thereafter, and the jade crest was taken from him by Jinpu. It is then that Jinpu who directs the Ryu Myaku toward the shrine, of which colliding with the dragon statue weakens and stops its feng shui. The police department slowly rebuild their stations and Kenshin bids Jinpu a final farewell.
95'End of Wanderings'
Transcription: 'Rurō no Saihate, Hi to Ruri no Kizuna wa Shiosai no Uchi ni' (Japanese: 流浪の最果て·緋と瑠璃の絆は潮騒の中 (うち) に)
N/A
Kenshin and Kaoru leave on a boat to visit a graveyard. Interspersed are photographs of shrines. In exchange for dinner, Sanosuke assists Megumi with the chopping of firewood. Yahiko is currently working at the Akabeko under Tae with Tsubame. Meanwhile, Kenshin and Kaoru spend the night at a local couple's house because of the rain. Kaoru places her hand on Kenshin's as he sleeps, he briefly awakes and allows it. While asleep, Kaoru has dreams of Kenshin wandering off again. When she wakes early the next day, Kaoru finds Kenshin on the beach and runs into his arms just as day breaks. Kenshin gives Kaoru a seashell and the two return to Tokyo, seeing all their friends at the bridge. Also, live-action ocean stock footage.


References[edit]

General
  • 'Official Rurouni Kenshin episode list' (in Japanese). Sony Entertainment. Retrieved 2008-10-12.
Specific
  1. ^ abKumana, Zubin. 'Rurouni Kenshin Vol #22: End Song'. Archived from the original on 2008-12-01. Retrieved 2008-10-13.
Retrieved from 'https://en.wikipedia.org/w/index.php?title=List_of_Rurouni_Kenshin_episodes_(season_3)&oldid=916858962'
(Redirected from Rouroni Kenshin)
Rurouni Kenshin
Cover of the twenty-eighth manga volume featuring Kamiya Kaoru and Himura Kenshin
るろうに剣心 -明治剣客浪漫譚-
(Rurōni Kenshin -Meiji Kenkaku Roman Tan-)
GenreAdventure, martial arts, romance[1]
Manga
Written byNobuhiro Watsuki
Published byShueisha
English publisher
DemographicShōnen
ImprintJump Comics
MagazineWeekly Shōnen Jump
Original runApril 25, 1994September 21, 1999
Volumes28 (List of volumes)
Anime television series
Directed byKazuhiro Furuhashi
Produced by(episodes 1–66)
Hiroshi Hasegawa (episodes 67–95)
Music byNoriyuki Asakura
StudioStudio Gallop(episodes 1–66)
Studio Deen(episodes 67–95)
Licensed by
Original networkFuji TV
English network
Cartoon Network (Toonami)
Original run January 10, 1996 September 8, 1998
Episodes95 (List of episodes)
Anime film
Rurouni Kenshin: The Motion Picture
Directed byHatsuki Tsuji
Produced by
Written byYukiyoshi Ohashi
Music byTaro Iwashiro
StudioStudio Gallop
Licensed by
Madman Entertainment
Aniplex of America
ReleasedDecember 20, 1997
Runtime90 minutes
Anime film series
Rurouni Kenshin: New Kyoto Arc
Directed byKazuhiro Furuhashi
Produced byAi Abe
Written byMari Okada
Music byNoriyuki Asakura
StudioStudio Deen
Licensed by
Madman Entertainment
Released December 17, 2011 June 23, 2012
Runtime45 minutes
Films2 (List of films)
Manga
Rurouni Kenshin: Restoration
Written byNobuhiro Watsuki
Published byShueisha
English publisher
Viz Media
DemographicShōnen
ImprintJump Comics SQ.
MagazineJump Square
English magazine
Original runMay 2, 2012June 4, 2013
Volumes2 (List of volumes)
Manga
Rurouni Kenshin: Master of Flame
Written byNobuhiro Watsuki
Published byShueisha
English publisher
Viz Media
DemographicShōnen
ImprintJump Comics SQ.
MagazineJump Square
English magazine
Weekly Shonen Jump
Original runJuly 4, 2014September 4, 2014
Volumes1 (List of volumes)
Manga
  • Rurouni Kenshin: The Hokkaido Arc (2017–present)
Original video animations
  • Rurouni Kenshin: Trust & Betrayal (1999)
  • Rurouni Kenshin: Reflection (2001)
Live-action films
  • Rurouni Kenshin (2012)
  • Rurouni Kenshin: Kyoto Inferno (2014)
  • Rurouni Kenshin: The Legend Ends (2014)

Rurouni Kenshin: Meiji Swordsman Romantic Story (Japanese: るろうに剣心 -明治剣客浪漫譚-Hepburn: Rurōni Kenshin -Meiji Kenkaku Romantan-),[a] also known as Samurai X, is a Japanese manga series written and illustrated by Nobuhiro Watsuki. The story begins during the 11th year of the Meiji period in Japan (1878) and follows a former assassin from the Bakumatsu, known as Hitokiri Battosai. After his work against the bakufu, Hitokiri Battosai disappears to become Himura Kenshin: a wandering swordsman who protects the people of Japan with a vow never to take another life. Watsuki wrote the series upon his desire to make a shōnen manga different from the other ones that were published at the time, with Kenshin being a former assassin and the story taking a more serious tone as it continued. The manga revolves around themes of atonement, peace, and romance.

The manga initially appeared in Shueisha's Weekly Shōnen Jump magazine from April 1994 to September 1999. The complete work consists of 28 tankōbon volumes, while years later it was reprinted into twenty-two kanzenban volumes. Studio Gallop, Studio Deen and SPE Visual Works adapted the manga into an anime series which aired in Japan from January 10, 1996 to September 8, 1998. Besides an animated feature film, two series of original video animations (OVAs) were also produced. The first adapted stories from the manga that were not featured in the anime, while the second was a sequel to the manga. Several art and guidebooks for Rurouni Kenshin have been published, and writer Kaoru Shizuka has authored three official light novels which were published by Shueisha. Many video games have also been released for the PlayStation, PlayStation 2, and PlayStation Portable consoles. A successful live-action theatrical film adaptation was released in 2012, with limited international screenings.

The manga, as well as the first light novel and first guidebook, has received a complete North American release by Viz Media. Rurouni Kenshin is subtitled 'Wandering Samurai' in some English versions. The TV series was later licensed in North America and released on DVD by Media Blasters. The first two seasons aired on the United States Cartoon Network as part of the Toonami block, while the third season was only featured on DVD. The English-language versions of the OVAs, as well as the film, were originally released as Samurai X in North America, although the original name was included on the later DVD and Blu-ray Disc releases.

The Rurouni Kenshin manga has over 70 million copies in circulation as of 2014, making it one of the best-selling manga series, while its anime has ranked among the 100 most-watched series in Japan multiple times. The series has received praise from various publications for manga, anime and other media, with both having received a good response on the characters' designs and historical setting. In 2017, Watsuki began a direct sequel titled Rurouni Kenshin: The Hokkaido Arc in Jump Square.

  • 2Production
  • 4Media
    • 4.3Animated films
  • 5Reception

Plot[edit]

In the early Meiji era, after participating in the Bakumatsu war as the assassin 'Hitokiri Battōsai', Himura Kenshin wanders the countryside of Japan with a reverse blade katana, offering protection and aid to those in need as atonement for the murders he once committed. When arriving in Tokyo in the 11th year of Meiji (1878), he meets a young woman named Kamiya Kaoru, who is in the middle of a fight with a murderer - who claims to be the Hitokiri Battōsai - tarnishing the name of the swordsmanship school that she teaches. Kenshin decides to help her and defeats the fake Battōsai. After discovering that Kenshin is the real infamous assassin, Kaoru offers him a place to stay at her dojo noting that he is peace-loving and not cold-hearted, as his reputation implies. Kenshin accepts and begins to establish lifelong relationships with many people such as Sagara Sanosuke, a former Sekihō Army member; Myōjin Yahiko, an orphan from a samurai family who is also living with Kaoru as her student; and a doctor named Takani Megumi, caught in the opium trade. However, he also deals with his fair share of enemies, new and old, including the former leader of the Oniwabanshū, Shinomori Aoshi and a rival from the Bakumatsu turned police officer, Saitō Hajime.

After several months of living in the dojo, Kenshin discovers that his successor as assassin of the shadows, Shishio Makoto, plans to conquer Japan by destroying the Meiji Government, starting with Kyoto. Feeling that Shishio's faction may attack his friends, Kenshin goes to meet Shishio alone to defeat him. However, many of his friends, including a young Oniwabanshū named Makimachi Misao, whom he meets in his travels, decide to help him in his fight. After his first meeting with him, Kenshin realizes he needs to get stronger to defeat Shishio without becoming the cold assassin he was in the past and returns to the man who taught him kenjutsu, Hiko Seijūrō, to learn the school's final technique. He finally accepts his friends' help and defeats Shishio in a close fight; Shishio dies being engulfed in flames due to the rise in his body temperature caused by his severe burns.

When Kenshin and his friends return to Tokyo, he finds Yukishiro Enishi, who plans to take revenge by killing his friends. At this point, it is revealed that, during the Bakumatsu, Kenshin was to be married to a woman named Yukishiro Tomoe. She had initially wanted to avenge the death of her 1st fiancé whom Kenshin had killed, but instead, they both fell in love, and she got proposed to. It is then discovered that Tomoe was related to a group of Edo guards that wanted to kill Kenshin, and Tomoe is betrayed by them and captured to use as bait. Kenshin rushes to rescue her, killing both his assailant and believed to accidentally slay Tomoe, who jumps in at the last minute to save Kenshin from a fatal attack. Wanting to take revenge for the death of his sister, Enishi kidnaps Kaoru and leaves behind a corpse doll bearing a stunning resemblance of Kaoru for Kenshin to find and momentarily grieve over. Once discovering that Kaoru is alive, Kenshin and his friends set out to rescue her. A battle between Kenshin and Enishi follows, and when Kenshin wins, he and Kaoru return home. Five years later, Kenshin has married Kaoru and has a son named Himura Kenji. Now at peace with himself, Kenshin gives his reverse-blade sword to Yahiko.

Production[edit]

A prototype series titled Rurouni: Meiji Swordsman Romantic Story appeared as a pair of separate short stories published in 1992 and 1993.[2][3] The first story, published on December 1992 in the Weekly Shōnen Jump Winter Special issue of 1993, featured an earlier version of Kenshin stopping a crime lord from taking over the Kamiya family dojo. Watsuki described the first Rurouni story, echoing the 'Megumi Arc,' as a 'pilot' for Rurouni Kenshin. According to Watsuki, the final Rurouni Kenshin series was not composed entirely of his free will. Describing the creation of historical stories as 'hard,' Watsuki initially wanted to make his next series in a contemporary setting. An editor approached Watsuki and asked him to make a new historical story. With the historical concept, Watsuki intended to use the Bakumatsu period from Moeyo Ken (Burn, O Sword) with a story akin to Sugata Sanshirō. Watsuki experimented with various titles, including Nishin (Two-Hearts) Kenshin, Yorozuya (Jack-of-All-Trades) Kenshin, and variations of 'Rurouni' and 'Kenshin' with different kanji in that order.[2]

The second Rurouni story, published on April 1993 in the Weekly Shōnen Jump 21–22 double issue of that year, featured Kenshin helping a wealthy girl named Raikōji Chizuru. Watsuki recalled experiencing difficulty when condensing 'everything' into 31 pages for that story. He said that he 'put all [his] soul into it' but sighs when looking at it from his perspective after the publication of the Rurouni Kenshin Volume 1 graphic novel in Japan. Watsuki describes that second Rurouni: Meiji Swordsman Romantic Story as receiving mediocre reviews and about two hundred letters.[3] He referred to it as a 'side story.'[2]

During his childhood, Watsuki used to practice kendo, which influenced him in the making from the series. Although Watsuki developed various one-shots before the official serialization from the series, he mentioned he based the series from Crescent Moon in the Warring States, a story which introduced Kenshin's fighting style and his teacher. While naming the characters, he based some of their names from places he used to live such as Makimachi Misao's 'Makimachi' and Sanjō Tsubame, who are named after places from Niigata.[4]

Being fascinated by the Shinsengumi, Watsuki designed the characters by basing their characteristics to that of the real Shinsengumi members and also used fictional representation of them and other historical characters from the Bakumatsu period of Japan.[5][6] The historical characters were considered to be a hard task by Watsuki. Due to problems with the characterization from Sagara Sōzō, Watsuki decided to illustrate Saitō Hajime in his own style avoiding the historical figure. He felt very good with Saitō's character having noted he fit very well in the manga.[7] However, Watsuki mentioned that many Japanese fans of the Shinsengumi complained about the personality of Saitō, as he was made sadistic.[5]

When questioned about the series' theme being Kenshin's self-redemption, Watsuki mentioned that when he was young, he used to read shōjo and that it influenced his writing of Rurouni Kenshin. He added that he wanted to make a story different from other comics as he considers the main character Kenshin is neither a good nor evil character. Since volume 7, Watsuki mentioned the series took a more adult tone due to the various conflicts in the story but commented it was influenced by the shōjo manga he read. Through the series' development, Watsuki was deciding if Kamiya Kaoru's character was going to die before the end. However, he later decided to keep Kaoru alive as he came to the conclusion he wanted a happy ending and that the manga is aimed at young readers.[7] Watsuki said he was an 'infatuated' type of person rather than a 'passionate' kind of person, therefore Rurouni Kenshin is a 'Meiji Swordsman Story' as opposed to being a 'Meiji Love Story.'[8]

When the manga series started to be published in Weekly Shōnen Jump, Watsuki had little hope in the development of the series. He planned to finish the story in approximately 30 chapters, ending with Kenshin's departure from Tokyo similarly to the one from volume 7. Kenshin's enemies would have been people from Kyoto who would send an assassin to kill Kenshin. When the Oniwabanshū were introduced during the serialization, Watsuki noted that the series could be longer as he had created various main characters. In that time, there was a survey, and the series had become very popular.[7]

When the series reached seven volumes, Watsuki's boss suggested to him that it was time to make a longer story-arc, which resulted in the creation of the fights between Kenshin and Shishio Makoto. The arc was only meant to be serialized for one year, but it ended up being one year-and-a-half-long. This arc was also done to develop Kenshin's character as he considered him not to have a weak point. Watsuki commented that his artistic skills were honed with this arc, as he could draw everything he wanted to. The last arc from the manga was meant to be much shorter, but it turned out to be a fairly long one as he could not present it simplistically. Watsuki originally made this arc prior to the series' start, having already thought about how would Kenshin's scar had been made.[7] Watsuki also had ideas to create a 'Hokkaido episode, a sequel' but wanted to start a new manga and so ended Rurouni Kenshin with the last arc he made.[9] In 2012, Watsuki revealed that when he clashed with the editorial staff at the end of the series, his editor Hisashi Sasaki understood his intentions and saw that he was at his physical limit and backed him up. He said it was out of respect and appreciation for the readers that he ended the popular series while it was still popular.[10] The Hokkaido sequel, Rurouni Kenshin: The Hokkaido Arc, began serialization in 2017.

Anime production[edit]

In a manga volume prior to the release of the anime, Watsuki said that while some fans might object to the adaptation of the series into anime, Watsuki looked forward to the adaptation and felt it would work since the manga was already 'anime-esque.' He had some worries about the series since he felt since the creation of the series was sudden and the series had a 'tight' production schedule.[11] In another note in the same volume Watsuki added that he had little input in the series, as he was too busy with the publishing.[12] In addition his schedule did not match the schedule of the anime production staff.[13] Watsuki said that it would be impossible to make the anime and manga exactly the same, so he would feel fine with the anime adaptation as long as it took advantage of the strengths of an anime format.[12]

After the anime began production, Watsuki said that the final product was 'better than imagined' and that it was created with the 'pride and soul of professionals.' Watsuki criticized the timing, the 'off-the-wall, embarrassing subtitles,' and the condensing of the stories; for instance, he felt the Jin-e storyline would not sufficiently fit two episodes. Watsuki said that he consulted a director and that he felt the anime would improve after that point.[14] The fact that the CD book voice actors, especially Megumi Ogata and Tomokazu Seki, who portrayed Kenshin and Sanosuke in the CD books, respectively, did not get their corresponding roles in the anime disappointed Watsuki. Watsuki reported receiving some letters of protest against the voice actor change and letters requesting that Ogata portray Seta Sōjirō; Watsuki said that he wanted Ogata to play Misao and that Ogata would likely find 'stubborn girl' roles more challenging than the 'pretty boy' roles she usually gets, though Watsuki felt Ogata would have 'no problem' portraying a 'stubborn girl.' Watsuki said that the new voice actor arrangement 'works out' and that he hoped that the CD book voice actors would find roles in the anime.[15] Watsuki said that the reason why the CD book voice actors did not get the corresponding roles in the anime was due to the fact that many more companies were involved in the production of the anime than the production of the CD books, and therefore the 'industry power-structure' affected the series.[13]

The second season of the anime television series had some original stories, not in the manga. Watsuki said that some people disliked 'TV originals,' but to him, the concept was 'exciting.' Watsuki said that because the first half of the original storyline that existed by the time of the production of Volume 10 in Japan was 'jammed' into the first season, he looked forward to a 'more entertaining' second season. Watsuki added that it was obvious that the staff of the first season 'put their hearts and souls' into the work, but that the second series will be 'a much better stage for their talents.'[13]

Themes[edit]

The series' main theme is responsibility as seen through Kenshin's action as he wants to atone for all the people he killed during the Bakumatsu by aiding innocent people by wielding a non-lethal sword.[16] Marco Olivier from the Nelson Mandela Metropolitan University said that the sakabatō symbolizes Kenshin's oath not to kill again which has been found challenging by other warriors appearing in the series.[17] This theme also encourages former drug dealer Takani Megumi into becoming a doctor upon learning of Kenshin's past and actions. Another theme is power, which is mostly seen by Sagara Sanosuke and Myojin Yahiko. However, like Megumi, these two characters are also influenced by the main character as they wish to become stronger to assist Kenshin across the plot. Additionally, the series discourages revenge as seen in the final arc when Yukishiro Enishi believes he succeeded in getting his revenge on Kenshin but starts having hallucinations of his late sister with a sad expression on her face.[16]

Media[edit]

Rurouni Kenshin Movie 2012 Full

Manga[edit]

Written and drawn by Nobuhiro Watsuki, the first chapter of Rurouni Kenshin premiered in Weekly Shōnen Jump on April 25, 1994[18] and was serialized in the magazine until September 21, 1999.[19][20][21] The 255 individual chapters were collected and published in 28 tankōbon volumes by Shueisha, with the first volume released on September 9, 1994 and the last on November 4, 1999.[22][23] In July 2006, Shueisha began re-releasing the series in a twenty-two kanzenban special edition volumes. A single chapter follow up to the series that follows the character of Yahiko Myōjin, Yahiko no Sakabatō (弥彦の逆刃刀, 'Yahiko's Reversed-Edge Sword'), was originally published in Weekly Shōnen Jump after the conclusion of the series. Left out of the original volumes, it was added as an extra to the final kanzenban release.[24]

In December 2011, Shueisha announced Watsuki would be putting his current series, Embalming -The Another Tale of Frankenstein-, on hold to begin a 'reboot' of Rurouni Kenshin, called Rurouni Kenshin Cinema Version (るろうに剣心 -キネマ版-Rurouni Kenshin Cinema-ban), as a tie-in to the live-action movie. The series began in the June 2012 issue of Jump Square, which was released on May 2, 2012,[25] and ended in the July 2013 issue on June 4, 2013.[26] The reboot depicts the battles that are featured in the first live-action film. Shueisha released the first tankōbon volume in Japan on September 4, 2012,[27] and the second on July 4, 2013.[28] Another special titled Rurouni Kenshin: Meiji Swordsman Romantic Story: Chapter 0 (るろうに剣心 -明治剣客浪漫譚- 第零幕Rurōni Kenshin -Meiji Kenkaku Roman Tan- Dai Rei-maku), was published in Weekly Shōnen Jump in August 2012 as a prologue to Cinema Version and included in its first volume.[29] In 2014, Watsuki wrote a two-chapter spin-off titled Rurouni Kenshin: Master of Flame (炎を統べる -るろうに剣心・裏幕-Honō wo Suberu -Rurouni Kenshin: Uramaku-) for Jump SQ., which tells how Shishio met Yumi and formed the Juppongatana. It was collected into one volume on October 3, 2014 by Jump Comics.[30][31][32]

Watsuki and his wife, Kaworu Kurosaki, collaborated on a two chapter spinoff titled Rurouni Kenshin Side Story: The Ex-Con Ashitaro for the ninth anniversary of Jump SQ. in 2016.[33] It acts as a prologue to the Rurouni Kenshin: The Hokkaido Arc, which began in September 2017 as a sequel to the original manga series.

Rurouni Kenshin was licensed for an English language release in North America by Viz Media. The first volume of the series was released on October 7, 2003.[34] Although the first volumes were published on an irregular basis, since volume 7 Viz established a monthly basis due to good sales and consumer demands.[35] Therefore, the following volumes were published until July 5, 2006, when the final volume was released.[36]Yahiko no Sakabatō was also serialized in English Shonen Jump during 2006.[37] In January 2008, Viz began re-releasing the manga in wideban formats called both 'Three-In-One' & 'Viz Big Edition', which is a collection of three volumes in one.[38] The final four-in-one 'Viz Big Edition' ninth volume included the 4th special Yahiko no Sakabatō (Yahiko's Sakabatō), and the extra story Haru ni Sakura (Cherry Blossoms In Spring) chapters. Which, take place after the series. Viz uses the actual ordering of Japanese names, with the family name or surname before the given name, within the series to reduce confusion and because Rurouni Kenshin is a historical series. Since then, Japan has released their own three in one (Cinema Version) volume manga comics going from vol. 1 up to vol. 14 featuring the live–action movie star cast members on the secondary outer slip covers of the Otaku comic books.[39] On May 7, 2012, it was announced in Viz Media's digital manga magazine Weekly Shonen Jump Alpha that the Rurouni Kenshin: Ginmaku Soushihen graphic novel would join its line-up under the title Rurouni Kenshin: Restoration, and would be published monthly starting on May 21.[40] Viz Media released the first volume on June 4, 2013,[41] and the second was published on January 14, 2014.[42] Viz also published Rurouni Kenshin: Master of Flame in the English Weekly Shonen Jump magazine in two parts.[31]

Anime series[edit]

Rurouni Kenshin Episode 1 Sub

The anime, directed by Kazuhiro Furuhashi, began airing on Japan's Fuji TV on January 10, 1996 and ended on September 8, 1998. It was produced by Aniplex and Fuji TV, and was animated from episode 1 to 66 by Studio Gallop, whereas the episodes from 67 onwards were animated by Studio Deen.[43][44][45] The anime only adapts the manga up until the fight with Shishio, from then on it features original material not in the manga.[46] The final episode did not air in Japan, but was a bonus episode for the VHS and DVD releases.[47] Since its premiere in Japan, episodes from the series have been collected in DVDs various times: two DVDs series with both of them featuring four episodes per volume and three DVD boxes.[48][49][50] 26 collected DVD volumes were released in Japan.[51]

Sony Pictures Television International (then under the name Columbia Pictures Television later moved to Columbia TriStar Television) created their own English dub of the series, under the name Samurai X, which aired outside North America.[52][53] In 1999 Sony had tried and failed to market the series in the United States via an existing company.[54] The TV series was again licensed for North America by Media Blasters, who split it up into 'seasons', and released on DVD. It began airing in the US on Cartoon Network as a part of the Toonami Block on March 17, 2003, but ended at the completion of the 'second season' (episode 62).[55] Some of the show's depictions of obscene language, intense violence, and tobacco and drug usage were subject to heavy editing on Toonami. Episodes 63–95 did not air, but were included in the DVD release.[56] The 'seasons' were released in three premium 'Bento box' DVD boxes on November 18, 2003, March 30, 2004 and July 27, 2004.[57][58][59] They were re-released as 'economy box' sets on November 15, 2005, January 17, 2006 and February 14, 2006.[60][61][62] As of November 2018, all three seasons with both the original Japanese audio and the Media Blasters dub (Bang Zoom! Entertainment) are available to stream on Netflix.[63][64]

Animated films[edit]

Requiem for the Ishin Patriots[edit]

The series also has a movie called Rurouni Kenshin: The Motion Picture, known in Japan as Ishin Shishi e no Chinkonka (―維新志士への鎮魂歌Requiem for the Ishin Patriots) and originally released in North America as Samurai X: The Motion Picture, which tells a story where Kenshin meets a samurai who was very close to a man Battōsai murdered in the war. The samurai is trying to start a revolution to overthrow the Meiji government. The film was directed by Hatsuki Tsuji and it premiered in Japan on December 20, 1997. The Japanese DVD was released on August 21, 1998.[65] It has been republished twice in 2000 and 2002, adding new content to the DVD.[66][67] It was also released on December 7, 2005 on Universal Media Disc format.[68] In North America, the film was released on DVD on March 27, 2001.[69] The film was released on Blu-ray Disc in North America on October 26, 2011 by Aniplex of America.[70]

Contents Operational History Battle of Earth Main article:The UNSC fleet suffered heavy casualties during the Covenant assault on Earth. By the time arrived from aboard the 's, Forward Unto Dawn was one of the few ships that remained of the UNSC's defenses.The ship was used by as his flagship during the. Halo forward unto dawn episode 3 The Forward Unto Dawn and two other frigates were sent to destroy the grounded on the, once the punched a hole in the enemy's local air defenses.The frigates and accompanying fighter squadrons attacked the primary target at the conclusion of the, though the rounds from the frigates and missile bombardment from the fighters failed to make any impression on the Dreadnought.

Rurouni Kenshin Anime Episodes

New Kyoto Arc[edit]

A new Rurouni Kenshin project was announced in April 2011's Jump Square. Director Kazuhiro Furuhashi, Studio Deen, and the original cast returned after nine years (except Hirotaka Suzuoki who died in 2006; Saitō Hajime was voiced by Ken Narita).[71][72] The project was split into two parts and is a remake of the second arc, the Kyoto arc, with some changes.[72] Part I was released on December 17, 2011 and titled Rurouni Kenshin: New Kyoto Arc: The Cage of Flames (焔の獄(ホムラのオリ)Zenpen Homura no Ori), which was selected from a fan suggestion,[73] ran at Tokyo's Cinema Sunshine Ikebukuro theater and Osaka's Cine-Libre Umeda theater for one week only.[74] Part II, Rurouni Kenshin: New Kyoto Arc: The Chirps of Light (光の囀(ヒカリのサエズリ)Hikari no Saezuri), was released on June 23, 2012 and ran for three weeks in ten theaters.[75]Aniplex of America announced at Otakon 2011 that they were in 'negotiations' for the English language rights to the films.[76] Aniplex released part I on DVD and Blu-ray on March 21, 2012 in Japan,[73] while Part II was released on August 22, 2012.[77] In 2013, North American licensor Sentai Filmworks released both films together on DVD and Blu-ray, editing them into a single movie.[78]

Original video animations[edit]

There are also two Rurouni Kenshinoriginal video animation (OVA) series which was trailered at the end of season 3, Tales Of The Meiji, to begin the Enishi saga & Ashitaro saga for the next seasonal portions of the TV series (Season 4 & 5). The first of them, Rurouni Kenshin: Trust & Betrayal, collectively known in Japan as Tsuiokuhen (追憶編Remembrance), was released in 1999 as four episodes in Japan, and later edited into a two-hour theatrical film with some new animated sequences (Director's Cut). It is set during the downfall of the Tokugawashogunate and during Kenshin's job as an assassin.[79]ADV Films released the series on two VHS or DVD sets in 2000 under their Samurai X name in North America, and the film version in 2003. Aniplex of America released it on Blu-ray in 2011 in North America.[70]

The second OVA is Rurouni Kenshin: Reflection, known in Japan as Seisōhen (星霜編Time). It is composed of two episodes and was later edited into a theatrical film (Director's Cut). The first episode was originally released on December 12, 2001 in Japan and the second on March 20, 2002. It is set both during and after the timeline of the series and tells of Kenshin and Kaoru's later days, much of which is not derived from the manga.[80][81] Although Nobuhiro Watsuki had checked the script from the OVA, he gave it disapproval due to its sad ending, and he stated that it is not canon and should not be treated as canonical.[82] It was released in the United States by ADV Films on DVD on March 25, 2003 under their Samurai X name, while the movie edition was released the following year.[83][84] Aniplex of America released it on Blu-ray in 2011 in North America.[70]

Live-action films[edit]

On June 28, 2011, a live-action film adaptation of Rurouni Kenshin was announced.[85] Produced by Warner Bros., with actual film production done by Studio Swan, the film was directed by Keishi Ōtomo and stars Takeru Satoh (of Kamen Rider Den-O fame) as Kenshin, Munetaka Aoki as Sanosuke Sagara and Emi Takei as Kaoru.[86] The film was released on August 25, 2012 in Japan.[87] In August 2013, it was announced that two sequels were being filmed simultaneously for release in 2014. Kyoto Inferno and The Legend Ends adapt the Kyoto arc of the manga.[88] On April 12, 2019, it was announced that two new live-action films will premiere in summer 2020 depicting the Remembrance/Tenchu & Jinchu arcs.[89]

Soundtracks[edit]

Cover of Rurouni Kenshin OST 1.

All of the series music was composed by Noriyuki Asakura and several CDs have been released by Sony Records. The first, Rurouni Kenshin OST 1 was released on April 1, 1996 and contained twenty-three songs that were used during the first episodes of the series.[90] The second one, Rurouni Kenshin OST 2 - Departure was released on October 21, 1996 and contained fifteen tracks that were first used before the start of the Kyoto Arc.[91] The next one, Rurouni Kenshin OST 3 - Journey to Kyoto was released on April 21, 1997 and contained the thirteen tracks that originally used in the Kyoto Arc.[92] For the next arc, Rurouni Kenshin OST 4 - Let it Burn was released on February 1, 1998 and contained twelve tracks.[93]

For the OVAs series, all themes were composed by Taku Iwasaki and the CDs were released by Sony Visual Works. The first, Rurouni Kenshin Tsuioku Hen OST was released on March 20, 1999 and contained sixteen tracks that were used in Samurai X: Trust & Betrayal.[94] For the Reflection OVA a soundtrack called Rurouni Kenshin Seisō Hen OST was released on January 23, 2002 and contained eighteen tracks.[95]

Several compilations of the anime songs were also released in collection CDs. Thirty tracks were selected and joined in a CD called Rurouni Kenshin - The Director's Collection, that was released on July 21, 1997.[96]Rurouni Kenshin Best Theme Collection was released on March 21, 1998 and contained ten tracks.[97] All of the opening and ending themes were also collected in a CD called Rurouni Kenshin OP/ED Theme Collection.[98] The Japanese voice actors of the series also composed songs that were released as two Cds Rurouni Kenshin Songs Album. All of the anime tracks, including OVAs and films tracks were collected in Rurouni Kenshin Complete CD-Box that was released on September 19, 2002. It contains the four TV OSTs, the two OVA OSTs, the movie OST, the two game OSTs, an opening & closing theme collection, and the two Character Songs albums.[99] On July 27, 2011, Rurouni Kenshin Complete Collection, which includes all the opening and ending themes and the theme song of the animated film, was released.[100]

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Several drama CDs, which adapted stories in the Rurouni Kenshin manga, were also released in Japan. Each of them featured different voice actors from that one that worked in the anime adaptation.[101] In Volume 5 of the manga Watsuki stated that he anticipated that the script of the third volume, which has the stories involving the character Udō Jin-e, would be 'pretty close' but would have additional lines belonging to Sanosuke and Yahiko.[102]

Stage shows[edit]

In 2016, the Takarazuka Revue performed a musical adaptation of the manga called Rurouni Kenshin: Meiji Swordsman Romantic Story. The show ran from February to March, and starred Seina Sagiri as Kenshin and Miyu Sakihi as Kaoru.[103]

Rurouni Kenshin Full Episodes English Sub

Art and guidebooks[edit]

Two encyclopedias of the Rurouni Kenshin manga were released in Japan. The first one, Rurouni Kenshin Profiles (原典), was released first in Japan on July 4, 1996 by Shueisha and in the United States by Viz Media on November 1, 2005.[104][105]Kenshin Kaden (剣心華伝), released on December 15, 1999 includes the story Haru no Sakura (春の桜, lit.'Cherry Blossoms in Spring'), which details the fates of all of the Rurouni Kenshin characters. The story takes place years after the manga's conclusion, when Kenshin and Kaoru have married and have a young son, Kenji. Many of the series' major characters who have befriended Kenshin reunite or otherwise reveal their current whereabouts with him in a spring picnic.[106] For the anime, three Kenshin Soushi artbook were published from 1997 to 1998. While the first two were based on the TV series, the third one was based on the film. The film one was named Ishin Shishi no Requiem Art Book and was released along with the movie.[107][108][109] Also released was Rurouni-Art Book, which contained images from the OVAs. A guidebook from the kanzenban imprint of the series was published on June 4, 2007.[110]

Light novels[edit]

The Rurouni Kenshinlight novels were published by Shueisha's Jump J-Books line and co-written by Kaoru Shizuka. Most of them are original stories which were later adapted in the anime. Others are adaptations of manga and anime stories. The first novel, Rurouni Kenshin: Voyage to the Moon World, which was published in Japan on October 10, 1996 and in North America on October 17, 2006 details another adventure involving the return of Tales Of The Meiji Season 3's Beni-Aoi Arc characters like Kaishu Katsu & the Kamiya Dojo's third pupil Daigoro.[111][112] The second, Yahiko's Battle, was released on October 3, 1997. It retells various stories featured in the manga and anime series.[113] The third novel, TV Anime Shimabara Arc, was published on February 4, 1999.[114] A novel adaptation of Rurouni Kenshin Cinema-ban, titled Rurouni Kenshin -Ginmaku Sōshihen- (るろうに剣心 ―銀幕草紙変―) and written by Watsuki's wife Kaoru Kurosaki, which was released on September 4, 2012 is a Japanese light novel version of America's Restoration's New Kurogasa (Jin-E) Arc mangas featuring Banshin & a different younger Gein. Both are Ishin members of Enishi's team of the Jinchu/Tenchu (Judgment of Earth/Heaven) portions of the Enishi saga in the main plot manga series.[115]

Video games[edit]

There are five Rurouni Kenshin games released for the PlayStation console. The first, Rurouni Kenshin: Meiji Kenkaku Romantan: Ishin Gekitōhen (るろうに剣心 -明治剣客浪漫譚- 維新激闘編) was released on November 29, 1996. It was developed by ZOOM Inc. The game is a 3D fighter game with 5 playable characters, while the plot focuses in the first seven volumes from the manga.[116] The second one, Rurouni Kenshin: Meiji Kenkaku Romantan: Jūyūshi Inbō Hen (るろうに剣心 -明治剣客浪漫譚- 十勇士陰謀編 - The Ten Warrior Conspiracy) was released on December 18, 1997 and was re-released in the PlayStation The Best lineup on November 5, 1998. The game is a role-playing video game with a story unrelated to either the manga or anime.[117]

Rurouni Kenshin: Meiji Kenkaku Romantan: Enjō! Kyōto Rinne (るろうに剣心 -明治剣客浪漫譚- 炎上!京都輪廻) is the only video game for the PlayStation 2 console. Its Japanese release was slated for September 13, 2006.[118] The game has sold over 130,000 copies in Japan.[119] A 2D fighting game titled Rurouni Kenshin: Meiji Kenkaku Romantan: Saisen (るろうに剣心 -明治剣客浪漫譚- 再閃) was released for the PlayStation Portable in March 10, 2011 in Japan.[120][121] On August 30, 2012, a sequel, Rurouni Kenshin: Meiji Kenkaku Romantan: Kansen (るろうに剣心 -明治剣客浪漫譚- 完醒), was released.[122]

Himura Kenshin also appears in the 2005 and 2006 Nintendo DS games Jump Super Stars and Jump Ultimate Stars as a battle character, while others were support characters and help characters.[123] Kenshin and Shishio appear as playable characters in the 2014 PlayStation 3 and PlayStation Vita game J-Stars Victory VS,[124][125] and in the 2019 game Jump Force for Windows, PlayStation 4, and Xbox One.[126]

Merchandise[edit]

Watsuki commented that there was a lot of Rurouni Kenshin merchandise released for the Japanese market. He recommended that buyers consider quality before paying for merchandise items and for them to consult their wallets and buy stuff that they feel is 'worth it.' Watsuki added that he liked the prototype for a stuffed Kenshin doll for the UFO catcher devices.[127]

Reception[edit]

Manga[edit]

Rurouni Kenshin has been highly popular, having sold over 55 million tankōbon copies in Japan alone up until February 2012, making it one of Shueisha's top ten best-selling manga series.[128] In 2014, it was reported that the series had 70 million tankōbon copies in circulation.[129] Volume 27 of the manga ranked second in the Viz Bookscan Top Ten during June 2006,[130] while volume 21 and 20 ranked second and tenth, respectively, in the Top 10 Graphic Novels of Viz of 2005.[131]Rurouni Kenshin volume 24 also ranked in 116th position in the USA Today's best selling book list for the week ending February 26, 2006.[132] During the third quarter from 2003, Rurouni Kenshin ranked at the top of ICv2's Top 50 Manga Properties.[133] In the same poll from 2005, it was featured at the top once again based on sales from English volumes during 2004.[134] In the Top Ten Manga Properties from 2006 from the same site, it ranked ninth.[135]

The manga has received praise and criticism from various publications. Mania Entertainment writer Megan Lavey found that the manga had a good balance between character development, comedy and action scenes. The artwork of Watsuki was said to have improved as the series continued, noting that characters also had reactions during fights.[136] Steve Raiteri from Library Journal praised the series for its characters and battles. However, he noted some fights were too violent, so he recommended the series to older teenagers as well as adults.[137] Zac Bertschy from Anime News Network (ANN) praised the story from the manga, but noted that by volume 18 of the series, Watsuki started to repeat the same type of villains who were united to kill Kenshin. Although he praised Watsuki's characters, he commented that some of them needed some consistency due to various 'bizarre' antagonists.[46]IGN reviewer A.E. Sparrow liked the manga's ending, praising how the storylines are resolved, and how most of the supporting cast end up. He also praised the series' characters, remarking that Kenshin 'belongs in any top ten of manga heroes.'[138]Otaku USA reviewer Daryl Surat said that the manga's quality was good until the 'Revenge Arc,' where he criticized the storyline and the new characters.[139] Surat described the series as an example of a 'neo-shōnen' series, where a shōnen series also appeals to a female audience; Surat stated that in such series, character designs are 'pretty' for female audiences, but not too 'girly' for male audiences. Surat cited Shinomori Aoshi and Seta Sōjirō, characters who ranked highly in popularity polls even though, in Surat's view, Aoshi does not engage in 'meaningful' battles, and Sōjirō is a 'kid.' Surat explained that Aoshi appears 'like a Clamp character wearing Gambit's coat and Sōjirō always smiles despite the abuse inflicted upon him.[140] Surat said that the character designs for the anime television series were 'toughened up a bit.' He added that the budget for animation and music was 'top-notch' because Sony produced the budget.[141] As a result of the series taking a darker tone in later story arcs with Kenshin facing new threats and at the same time his Battosai self, Kat Kan from Voice of Youth Advocates recommended it to older teens. Kan also found that the anime viewers will also enjoy Watsuki's drawings due to the way he illustrates battles.[142]

Before becoming an official manga author, Masashi Kishimoto decided he should try creating a Chanbara manga since Weekly Shōnen Jump had not published a title from that genre. However, during his years of college, Kishimoto started reading Hiroaki Samura's Blade of the Immortal and Rurouni Kenshin which used the said genre. Kishimoto recalls having never been surprised by manga ever since reading Akira and found that he still was not able to compete against them.[143]

In a review about the series' reboot, Publishers Weekly praised the manga for appealing to both newcomers as well as old fans of Rurouni Kenshin. The reviewer also noted the manga had light parts during its comedy which he found strange in the samurai genre.[144] Kat Kan of Voice of Youth Advocates shared similar feelings, but suggested it to try it for older teens rather than children as a result of its violent content.[145] Rebecca Silverman from Anime News Network praised the reboot, praising the focus on Kenshin and Yahiko's development but criticized Kaoru and Saito for lacking focus.[146]

Anime series[edit]

When TV Asahi, a television network in Japan, conducted a nationwide survey for the one hundred most popular animated television series, the Rurouni Kenshin anime came in sixty-sixth place.[147] They also conducted an online web poll, in which Rurouni Kenshin was placed at number 62.[148] Nearly a year later, TV Asahi once again conducted an online poll for the top one hundred anime, and Rurouni Kenshin anime advanced in rank and came in twenty-sixth place.[149] It also ranked at tenth place in the Web's Most Wanted 2005, ranking in the animation category.[150] The fourth DVD of the anime was also Anime Castle's best selling DVD in October 2001.[151]Rurouni Kenshin was also a finalist in the American Anime Awards in the category 'Long Series' but lost against Fullmetal Alchemist.[152][153]

Rurouni Kenshin Full Movie English

The anime has also been commented on by Chris Shepard from ANN noting a well-crafted plot and good action scenes. However, he also criticized that during the first episodes the fights never get quite interesting as it becomes a bit predictable that Kenshin is going to win as the music of moments of victory is repeated many times.[154] However, Mark A. Grey from the same site mentioned that all those negatives points disappear during the Kyoto Arc due to amazing fights and a great soundtrack.[155] Tasha Robinson from SciFi.com had a similar opinion on the anime, and added that the characters' personalities' allowed the plot to develop into a good variety of interesting stories. She also liked the historical setting as it makes all the situations seem authentic.[156] Lynzee Loveridge from Anime News Network highlighted as the most known series to use the Meiji period and saw the Kyoto Arc as one of the best ones.[157] Although Them Anime's Carlos Ross also liked the action scenes and storyline, he added that the number of childish and violent scenes make the show a bit unbalanced, saying it is not recommended for younger children.[158] Surat approved of the anime series, stating that while half of the first-season episodes consisted of filler, the situation 'clicks' upon the introduction of Saitō Hajime and that he disagreed with people who disliked the television series compared to the OVAs. Surat said that while the Media Blasters anime dub is 'well-cast,' the English dub does not sound natural since the producers were too preoccupied with making the voice performances mimic the Japanese performances.[159] Surat said that while he 'didn't mind' the first filler arc with the Christianity sect, he could not stomach the final two filler arcs, and Japanese audiences disapproved of the final two filler arcs.[139] Robin Brenner from Library Journal noted that despite its pacifist messages, Rurouni Kenshin was too violent, recommending it to older audiences.[160]

OVAs[edit]

Rurouni Kenshin: Trust & Betrayal has received significant praise for its story, animation, art, music and Japanese voice acting from various critics. Mike Crandol from ANN noted Trust & Betrayal as one of the greatest OVA series of all time, celebrating the new characters designs as well as the fights scenes which were also noted to be 'terribly bloody' and beautiful at the same time.[161] Although DVD Talk reviewer Don Houston mentioned the OVAs were very violent for teenagers, he found the story and music to be 'solid'. The director's cut version received positive comments by how the four OVAs were arranged with Houston commenting it 'seems more like a movie that stands alone, rather than just the precursor to a long lasting series.'[162]

Rurouni Kenshin: Reflection received mixed reviews. While Nobuhiro Watsuki had checked the script from the OVA, he gave it disapproval due to its sad ending.[82] Crandol also later commented that fans from the manga may be disappointed when seeing Rurouni Kenshin: Reflection since most of the fighting scenes have been deleted in the OVA. Nevertheless, the music and animation featured in the Reflection were highly praised again as one of the best ones from Japan.[163]

Films[edit]

At the box office, the 2012 live-action film Rurouni Kenshin grossed $62.5 million worldwide, including $61.7 million up until December 2012 prior to its release in the Philippines,[164] $728,085 from Malaysia, Thailand and the Philippines up until May 2013,[165] and then $8,389 in the United Kingdom[166] and $32,445 in the United States.[167]

At the 2014 worldwide box office, the sequel Kyoto Inferno grossed $52.9 million.[168] Released later that year, The Legend Ends grossed $44 million worldwide, including ¥4.35 billion ($41.06 million) in Japan,[169] ₩16,916,100 ($14,955) in South Korea,[170] and $2,484,963 in other territories.[171]

In total, the live-action film trilogy grossed $159.4 million at the worldwide box office.

Notes[edit]

  1. ^The Japanese title literally means 'Rurouni Kenshin: Meiji Swordsman, a collection of Romantic Folk Tales.' 'Rurouni' is a word made up by the author by blending the words 流浪 (rurō 'wandering') and 浪人 (rōnin 'masterless samurai', literally 'wanderer'), and it is spelled in kanji within the manga () (ろう) (). A rough translation of the title would be 'Kenshin the Wandering Masterless Samurai.' The word 浪漫 is more accurately pronounced with on'yomirōman with a 'long o', but the special story 'Tokubetsuhen 1: Rurōni Kenshin -Meiji Kenkaku Romantan-' (alternate reality/non-canon) shows with furigana that it is pronounced roman with a 'short o'.

References[edit]

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Further reading[edit]

  • Lee, Maggie (2012-10-31). 'Rurouni Kenshin'. Daily Variety. Reed Business Information, Inc. (US). 317 (23): 18. ISSN0011-5509.
  • Contino, Jennifer M (2004-03-19). 'Rurouni Kenshin'. Entertainment Weekly. Time, Inc (756): L2T16. ISSN1049-0434.
  • Schilling, Mark (2012-11-12). 'Helmer sees nonviolent samurai pic as cut above.(FEATURED PLAYER)(Keishi Otomo's Rurouni Kenshin)'. Variety. Reed Business Information, Inc. (US). 429 (1): 10(1). ISSN0042-2738.
  • 'Rurouni Kenshin, vol. 1'. Voice of Youth Advocates. E L Kurdyla Publishing LLC. 29 (5): 399. 2006-12-01. ISSN0160-4201.
  • 'OPINION: Japanese fiction holds life lesson'. Quay County Sun (Tucumcari, NM). McClatchy-Tribune Information Services. 2011-03-15.
  • Dennys, Harriet (2005-11-11). 'Big in Japan, America and now the UK: manga novels are moving from niche status into the UK mainstream.(GRAPHIC NOVELS: MANGA)'. The Bookseller. The Nielsen Company (5204): S10(2). ISSN0006-7539.
  • 'Publications of the week.(book lists )'. The Bookseller. The Nielsen Company (5173): 39(13). 2005-04-08. ISSN0006-7539.

External links[edit]

Rurouni Kenshin Full Episodes English Dub

Wikiquote has quotations related to: Rurouni Kenshin
Wikimedia Commons has media related to Rurouni Kenshin.

Watch Rurouni Kenshin Dubbed

  • Official Shueisha Rurouni Kenshin manga website(in Japanese)
  • Jump Sq.Rurouni Kenshin website(in Japanese)
  • Official Sony Rurouni Kenshin anime website(in Japanese)
  • Rurouni Kenshin (manga) at Anime News Network's encyclopedia
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